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Les Mains Secrètes Littératures & Arts du Maghreb / Maghrebian Arts and Literature

Revue du Centre d'Etudes des Littératures et des Arts d'Afrique du Nord · Review of the Center for the Study of the Literatures and Arts of North Africa / Maghrebian Arts and Literature

Rain (Diary of an Insomniac) cover

Translations of the Maghreb Collection

Rain
(Diary of an Insomniac)

Rachid Boudjedra

Published 2002 (English Translation) Originally Arabic, 1986 ISBN: 0-9665360-3-7
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About this Book

Rain (Diary of an Insomniac) is a novel by Rachid Boudjedra, translated from the Arabic. The narrator is a female physician — head of a psychiatric clinic in Algeria — whose stream-of-consciousness diary weaves together her professional experience, family wounds, and a landscape of memory haunted by violence, gender, and the weight of Algerian society.

In Boudjedra's hands, even rain — ordinarily a symbol of cleansing and renewal — becomes something threatening, capable of harm, leaving its mark both physically and mentally. The novel redefines reality itself: normalcy becomes bizarre, ironic, and finally incomprehensible. It stands as one of the most formally experimental and politically charged works of post-independence North African literature.

Excerpt

"When they found out the head of the clinic was a woman they nearly died. So that's a female then! Like thirsty fish they tried to wet their dry throats. Knotted. They organised their faces. Twirled their moustaches. Took off their long scarves. Spat out their tobacco quids. Stroked their shaven heads. At that point they fell into my hands. […]

My brother slapped me. He also said you won't only be using it for peeing from now on! The only thing he cared about — at that time — was his passion for model aeroplanes. Every Friday he prayed for a long time on our father's grave. He spent several hours there. I have never ever been inside a cemetery. I've even always refused to visit my father's grave. That was what finally drove my brother mad. He could never understand such behaviour. Apart from his work he only ever went out to attend funerals. He only really came into his own at burials and wakes. He was secretive. Hardly said a word. Hardly communicated. Absent. Passive. Complacent. Lazy. Sort of inadhesive. […]

The night was sultry. After the rain a sandy wind gusted from the desert. It was sort of grainy. Paradoxically oily. Fatty. Making it hard to breathe. Stubborn recurrent memories. Racing camel moving in a postcard desert. Superb. Unbelievable. With the stiffness of a dyslexic learning to ride a bicycle. Its rider — a blue blob — swaying slowly. At each step its feet raised a small puff of greenish salt: crossing a frosty-looking salt lake. Fast camel. Like a mauve scar swelling in the shimmering still air. Budding dawn."

— from Rain (Diary of an Insomniac), Rachid Boudjedra

Critical Response

"The depressing Algerian reality of Boudjedra's heroine redefines her world, making even normalcy bizarre, ironic, and incomprehensible. Even rain, which is usually cleansing, evoking rebirth and renewal, becomes something violent and capable of harm, leaving its mark physically and mentally on the young woman."

— Valérie Orlando

About the Author

Rachid Boudjedra was born in 1941 in Aïn Beïda, Eastern Algeria. He is widely regarded as the most prolific, innovative, and controversial writer of post-independence North Africa. Boudjedra writes in both Arabic and French, and his work consistently challenges the political, social, and literary conventions of Algerian society. His novels are noted for their complex formal experimentation and unsparing examination of gender, violence, and colonial legacies.

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